April 05 & 07, 2008
PAVILION & BB3:
Temporary Structures
Live talk about BUCHAREST BIENNALE and its generator, PAVILION magazine.
April 5, 2008 — 17.00 h.
Künstlerhaus
Bethanien, Clubraum (3rd floor)
Mariannenplatz
2, Berlin
Public debate on the social involvement of Pavilion magazine
April 7, 2008–19.00
Rumanisches
Kulturinstitut “Titu Maiorescu” Berlin
Koenigsallee 20A, Berlin
Participants:
Razvan Ion (RO), Eugen Radescu (RO), Felix Vogel (DE), Christoph
Tannert (DE)
Bucharest Biennale – Bucharest International Biennial for Contemporary
Art – generated by Pavilion, integrates the city in its curatorial
project, proposing both a spatial and temporal, itinerant trajectory to
the visitor, which leads to the discovery of hidden geographies.
Despite being in a rather introductory stage, the Bucharest Biennale
has already positioned itself internationally, and the third edition is
expected to express the growing potential of this type of artistic
encounter. BB3 questions cartography and proposes a remapping of
contemporary art, in extending the art concept towards discursive
manifestations with a sociopolitical impact.
The third edition of BUCHAREST BIENNALE is under Swedish curatorship of
Jan-Erik Lundstrom and Johan Sjostrom (May 23 – June 21, 2008).
PAVILION, the magazine, is a structure, which is mainly located in the
present, although it sometimes deals with the recent past and is often
used as a source of reference for the future – in the future as a
reference to the past – and it sometimes presents clairvoyant visions
of the future. The mission of a magazine for contemporary art and
culture is to analyze the present and to make a statement about what
this present could be – the decision of “which present” to display
comes with certain responsibility.
It is no longer possible to make a clear distinction between politics
and art/aesthetics. Therefore, it could be viewed as one of the main
missions of a contemporary magazine to have a clear vision of the
present and to make an analysis of the strategies of representation by
means of aesthetics, ethics and politics. This undertaking can only be
successful, if the magazine/biennale maintains its temporary
structure.
BUCHAREST BIENNALE is proudly sponsored by Pilsner Urquell and has as
strategic partner Unicredit Tiriac Bank.
Christoph Tannert
Curator and theoretician, author of numerous exhibtions, director
of Künstlerhaus Bethanien and editor of BE magazine.
Felix Vogel
Ttheoretician and curator. He is co-curator of the 100 MINUTES
exhibition series, member of the advisory board of PAVILION and
contributor for different magazines. Currently, he is living and
working in Karlsruhe and Konstanz, Germany.
Razvan Ion
Theoretician and political activist. Co-editor of Pavilion and
co-director of the Bucharest Biennale. Razvan Ion has given lectures at
University of California, (Berkeley), Headlands Center for the Arts,
California, O3one, Belgrade, Facultatea de Stiinte Politice, Cluj,
Facultatea de Arte, Timisoara, etc. His studies and texts have been
published in various magazines. Razvan Ion is living and working in
Bucharest.
Eugen Radescu
Curator, theoretician and co-editor of PAVILION. Eugen Radescu has
produced art projects and mixed media performance, and has given
lectures at the Art Academy in Timisoara. He was appointed curator for
the 1st Bucharest Biennale, where he produced the exhibition
“identity_factories”. Eugen Radescu writes for various art magazines
and is currently working on the curatorial project “How Innocent Is
That?” and his book “Moral Relativity and Ethics”. In 2006, he was
appointed co-director of the Bucharest Biennale (together with Razvan
Ion). Eugen Radescu is living and working in Bucharest.
For more information on the Bucharest Biennale and Pavilion:
www.pavilionmagazine.org
www.bucharestbiennale.org
For more information on the Romanian Cultural Institute in Berlin:
www.rki-berlin.de
Special thanks to: Irina Ionescu, Adriana Popescu, Christoph Tannert,
Jan-Erik Lundstrom, Johan Sjostrom, all team of ICR Berlin + Bucharest.
February 22 & 26, 2008
PAVILION & BB3:
Temporary Structures
Friday, February 22,
2008, 12.00 h.
La Casa Encendida
Ronda Valencia 2, Madrid
Tuesday, February 26,
2008, 17.00 h.
Gulbenkian Museum
Av. de Berna 45A, Lisboa
Live talk about BUCHAREST BIENNALE and its generator, PAVILION magazine.
Participants:
Madrid: Razvan Ion (RO), Eugen Radescu (RO), Kristoffer Ardeña
(PH/SP).
Lisbone: Razvan Ion (RO), Eugen Radescu (RO), Nuño Faria
(PT).
Bucharest Biennale – Bucharest International Biennial for Contemporary
Art – generated by Pavilion, integrates the city in its curatorial
project, proposing both a spatial and temporal, itinerant trajectory to
the visitor, which leads to the discovery of hidden geographies.
Despite being in a rather introductory stage, the Bucharest Biennale
has already positioned itself internationally, and the third edition is
expected to express the growing potential of this type of artistic
encounter. BB3 questions cartography and proposes a remapping of
contemporary art, in extending the art concept towards discursive
manifestations with a sociopolitical impact.
The third edition of BUCHAREST BIENNALE is under Swedish curatorship of
Jan-Erik Lundstrom and Johan Sjostrom (May 23 – June 21, 2008).
PAVILION, the magazine, is a structure, which is mainly located in the
present, although it sometimes deals with the recent past and is often
used as a source of reference for the future – in the future as a
reference to the past – and it sometimes presents clairvoyant visions
of the future. The mission of a magazine for contemporary art and
culture is to analyze the present and to make a statement about what
this present could be – the decision of “which present” to display
comes with certain responsibility.
It is no longer possible to make a clear distinction between politics
and art/aesthetics. Therefore, it could be viewed as one of the main
missions of a contemporary magazine to have a clear vision of the
present and to make an analysis of the strategies of representation by
means of aesthetics, ethics and politics. This undertaking can only be
successful, if the magazine/biennale maintains its temporary
structure.
BUCHAREST BIENNALE is proudly sponsored by Pilsner Urquell and has as
strategic partner Unicredit Tiriac Bank.
Kristoffer Ardeña
Kristoffer Ardeña (Philippines/1976), currently residing in
Madrid, Spain. In 1997 received a 4 yr full scholarship to pursue
his BFA in Painting at the Academy of Art in San Francisco, CA, USA.
His artistic practice shifts between mediums – drawing, performative
and site specific installations, photography, artist book, public
interventions and happenings. He is participant in Bucharest Biennale 3.
Nuño Faria
Curator and theoretician, author of numerous exhibtions arround the
world.
Razvan Ion
Theoretician and political activist. Co-editor of Pavilion and
co-director of the Bucharest Biennale. Razvan Ion has given lectures at
University of California, (Berkeley), Headlands Center for the Arts,
California, O3one, Belgrade, Facultatea de Stiinte Politice, Cluj,
Facultatea de Arte, Timisoara, etc. His studies and texts have been
published in various magazines. Razvan Ion is living and working in
Bucharest.
Eugen Radescu
Curator, theoretician and co-editor of PAVILION. Eugen Radescu has
produced art projects and mixed media performance, and has given
lectures at the Art Academy in Timisoara. He was appointed curator for
the 1st Bucharest Biennale, where he produced the exhibition
“identity_factories”. Eugen Radescu writes for various art magazines
and is currently working on the curatorial project “How Innocent Is
That?” and his book “Moral Relativity and Ethics”. In 2006, he was
appointed co-director of the Bucharest Biennale (together with Razvan
Ion). Eugen Radescu is living and working in Bucharest.
For more information on the Bucharest Biennale and Pavilion:
www.pavilionmagazine.org
www.bucharestbiennale.org
For more information on the Romanian Cultural Institute in Madrid &
Lisbone:
http://www.icr.ro/filiale/MADRID
http://www.icr.ro/filiale/LISABONA
Special thanks to: Irina Ionescu, Horia Barna, Rares Cristea, Pablo
Espana, Oscar Alonso Molina, Anca Milu, Virgil Mihaiu, Jan-Erik
Lundstrom, Johan Sjostrom, all team of ICR Madrid + Bucharest.
February 03, 2008
PAVILION & BB3: Temporary Structures
Public debate
20.00, ICR Paris, rue de
l’Exposition
Participants:
Razvan Ion (co-director BB3 & co-editor Pavilion), Eugen Radescu
(co-director BB3 & co-editor Pavilion), Renaud Auguste-Dormeuil
(artist, participant BB3), Felix Vogel (curator & theoretician),
Jens Emil Sennewald (theoretician) and Alexandra Fau (curator).
Bucharest Biennale – Bucharest International Biennial for Contemporary
Art – generated by Pavilion, integrates the city in its curatorial
project, proposing both a spatial and temporal, itinerant trajectory to
the visitor, which leads to the discovery of hidden geographies.
Despite being in a rather introductory stage, the Bucharest Biennale
has already positioned itself internationally, and the third edition is
expected to express the growing potential of this type of artistic
encounter. BB3 questions cartography and proposes a remapping of
contemporary art, in extending the art concept towards discursive
manifestations with a sociopolitical impact.
Pavilon is a structure, which is mainly located in the present,
although it sometimes deals with the recent past and is often used as a
source of reference for the future – in the future as a reference to
the past – and it sometimes presents clairvoyant visions of the future.
The mission of a magazine for contemporary art and culture is to
analyze the present and to make a statement about what this present
could be – the decision of “which present” to display comes with
certain responsibility.
It is no longer possible to make a clear distinction between politics
and art/aesthetics. Therefore, it could be viewed as one of the main
missions of a contemporary magazine to have a clear vision of the
present and to make an analysis of the strategies of representation by
means of aesthetics, ethics and politics. This undertaking can only be
successful, if the magazine maintains its temporary structure.
For more information on the Bucharest Biennale and Pavilion:
www.pavilionmagazine.org
www.bucharestbiennale.org
Special thanks to: Irina Ionescu, Magda Carneci, Sorin Ghergut, Simona
Edwards, Mirela Sofronea, Raluca Cimpoiasu and all the team of ICR
Paris + Bucuresti.
November
21, 2007, 18.30 h.
EMOTIONAL GEOGRAPHIES –
URBAN MYTHS
Lecture by Adrian Majuru
National Center for Dance, Bucharest
Bd. Nicolae Balcescu, nr. 2 (TNB, 4th Floor, Ronda Hall)
History also maps apparently imperceptible dimensions. These
are
difficult to detect, deviate and calatogue, since
they easily traverse
different historical periods, however, once they have penetrated the
imperceptible, answers to secular questions may be unveiled. How
come
we often forget where we
started from? How come doing good has a
negative connotation? How come “the asses never forigive
one of their
kind for having risen above media”? (Stefan Zeletin,
“From the land of
asses”). The emotional geographies are cartogaphies, whose historical
fluctuation traverses many epochs and social hierarchies. They are
the
most sensitive sensors, through which nature strives for or
forces an
adaptation in a history of its own!
The lecture of Adrian Majuru deals with an emotional
cartography of
Bucharest, which in a way anticipates the theme of next year’s
BUCHAREST BIENNALE 3: “Being here. Mapping the Contemporary” curated by
Jan-Erik Lundstrom si Johan Sjostrom.
Adrian Majuru (born 1968, Bucharest) coordinates Folk Art Museum
“Dr.
Nicolae Minovici” and is one of the initiators behind the
founding of
the Museum of Urban Anthropology. He is the author of several
publications, such as Bucharest of the outskirts or the
periphery as
a mode of existence (Compania
2003) and Childhood according to
romanians (Compania, 2006).
—
Istoria cartografiaza si dimensiuni aparent insesizabile. Sunt dificil
de surprins, decalat si catalogat deoarece traverseaza cu mare usurinta
perioade istorice variate, insa odata penetrat insesizabilul, pot fi
descoperite raspunsuri la intrebari seculare.
De ce uitam adesea de unde am plecat? De ce a face bine are conotatie
negativa? De ce „magarii nu iarta niciodata unuia dintr-ai lor faptul
de a se fi ridicat deasupra mediei”? (Stefan Zeletin, “Din tara
magarilor”)
Geografiile emotionale sunt cartografieri a caror fluctuaţie istorica
traverseaza multe epoci si multe ierarhii sociale. Ele sunt cei mai
sensibili senzori prin care natura umana incearca sau forteaza o
adaptare in propria-i istorie!
Prelegerea lui Adrian Majuru se doreste o cartografiere emotionala a
Bucurestiului anticipind intr-o masura tema BUCHAREST BIENNALE 3 de
anul viitor: “Fiind aici. Topografia contemporaneitatii” curatoriata de
Jan-Erik Lundstrom si Johan Sjostrom.
Adrian Majuru (n.1968, Bucureşti) coordonează Muzeul de artă populară
dr.Nicolae Minovici şi este unul dintre iniţiatorii înfiinţării
Muzeului de antropologie urbană. Este autorul mai multor cărţi
între
care amintim selectiv: Bucureştii mahalalelor sau periferia ca mod de
existenţă (Compania 2003) si Copilăria la români (Compania,
2006).
Finantat de/Supported by:
PAVILION | art & culture magazine
www.pavilionmagazine.org
Partener/Partner:
Centrul National al Dansului Bucuresti
www.cndb.ro
Parteneri media/Media Partners:
Alternativ.ro
Feeder.ro
October 24 – 25, 2007
PAVILION & BB3: Temporary Structures
Bucharest Biennale – Bucharest International
Biennial for Contemporary Art – generated by Pavilion, integrates the
city in its curatorial project, proposing both a spatial and temporal,
itinerant trajectory to the visitor, which leads to the discovery of
hidden geographies.
Despite being in a rather introductory stage, the Bucharest Biennale
has already positioned itself internationally, and the third edition is
expected to express the growing potential of this type of artistic
encounter. BB3 questions cartography and proposes a remapping of
contemporary art, in extending the art concept towards discursive
manifestations with a sociopolitical impact.
PROGRAM
24 October 2007
ICR Stockholm, Skeppsbron 20, Stockholm
18.00 h
The Magazine as a Temporary Structure
A lecture by Eugen Radescu (RO) on the structure of Pavilion –
contemporary art & culture magazine.
The magazine is a structure, which is mainly located in the present,
although it sometimes deals with the recent past and is often used as a
source of reference for the future – in the future as a reference to
the past – and it sometimes presents clairvoyant visions of the future.
The mission of a magazine for contemporary art and culture is to
analyze the present and to make a statement about what this present
could be – the decision of “which present” to display comes with
certain responsibility.
It is no longer possible to make a clear distinction between politics
and art/aesthetics. Therefore, it could be viewed as one of the main
missions of a contemporary magazine to have a clear vision of the
present and to make an analysis of the strategies of representation by
means of aesthetics, ethics and politics. This undertaking can only be
successful, if the magazine maintains its temporary structure.
19.00h
BB3. Being Here. Mapping the Contemporary
Live talk on the topic of Bucharest Biennale 3.
Participants: Maria Lantz (SE), Jan-Erik Lundstrom (SE), Razvan Ion
(RO), Eugen Radescu (RO).
Mapping is, in fact, not a mimetic exercise, a process of analogue
imitation by way of reduction and abstraction, a means towards the
splendid and refractory lives of copies and reproductions. Maps are,
rather, parallel worlds, rich and powerful out of their own specific
properties, producers of other spaces and alternative geographies. And
exactly because of this: resourceful and productive and beautiful
instrumentalities for the contemporary moment, for navigation ‐ or
withdrawal? In these strange times, in the midst of the landscapes of
terror, fear and loss, of the territories of restricted movement,
control and surveillance, of borders which are walls, of globalization
with its promises and defeats.
Curated by Jan-Erik Lundstrom & Johan Sjostrom, BB3 (23 May – 21
June 2008) attends to the geographical turn in contemporary creativity
and current representational practices.
Bucharest Biennale is proudly supported by Pilsner Urquell.
Launch of the latest issue of PAVILION “What Was Socialism, and What
Comes Next”.
Open buffet.
26 October 2007, 12.30 PM
Galleri Mejan, Flaggmansvägen 1, Skeppsholmen,
Stockholm (in front of Moderna Museet)
Political Statement of the Biennale
Open lunch talk with Eugen Radescu (RO) & Razvan Ion (RO)
Participants: students of the Royal University College of Fine Arts and
the public.
Maria Lantz
Artist and teacher at the Royal University College of Fine Arts. She is
also editor of Motiv magazine. She has exhibited widely and in 2008
will be part of Bucharest Biennale 3.
Jan-Erik Lundström
Born in 1958, Jan Lundström is the director of BildMuseet,
Umeå University in Umeå Sweden, a museum of contemporary
art and visual culture. He is equally involved in curating, organizing,
giving lectures and writing. Previously, he was the curator of the
Tirana Biennial, as well as the Thessaloniki Biennial. Furthermore, he
is a guest professor at HISK in Antwerp, Belgium and at the
Kunstakademie in Oslo, Norway. Jan Lundström is a prolific
international lecturer and writer, having contributed to various
international symposia and to cultural magazines such as Glänta,
European Photography, Paletten and tema celeste. He was appointed
curator of Bucharest Biennale 3 together with Johan Sjöstrom.
Razvan Ion
Theoretician and political activist. Co-editor of Pavilion and
co-director of the Bucharest Biennale. Razvan Ion has given lectures at
University of California, (Berkeley), Headlands Center for the Arts,
California, O3one, Belgrade, Facultatea de Stiinte Politice, Cluj,
Facultatea de Arte, Timisoara, etc. His studies and texts have been
published in various magazines. Razvan Ion is living and working in
Bucharest.
Eugen Radescu
Curator, theoretician and co-editor of PAVILION. Eugen Radescu has
produced art projects and mixed media performance, and has given
lectures at the Art Academy in Timisoara. He was appointed curator for
the 1st Bucharest Biennale, where he produced the exhibition
“identity_factories”. Eugen Radescu writes for various art magazines
and is currently working on the curatorial project “How Innocent Is
That?” and his book “Moral Relativity and Ethics”. In 2006, he was
appointed co-director of the Bucharest Biennale (together with Razvan
Ion). Eugen Radescu is living and working in Bucharest.
For more information on the Bucharest Biennale and Pavilion:
www.pavilionmagazine.org
www.bucharestbiennale.org
For more information on the Romanian Cultural Institute in Stockholm
(Rumänska Kulturinstitutet):
www.rkis.se
Special thanks to: Dan Shafran, Giorgiana Zachia, Maria Lantz, Jan-Erik
Lundstrom, Raluca Mihu, Corina Truta and all the team of ICR Stockholm
+ Bucharest.
August, 07, 2007
Kite
flying with local people
performance by
Yoshinori Niwa
(parallel
event of
Bucharest Biennale 3)
11.00 hours | Bucuresti,
Piata Universitatii (in front of National Theatre)
“Kite flying with local
people”
Making a flying kite
with trash of Bucharest, he try to fly the kite in Bucharest.
12.30 hours | Bucuresti,
Centrul National al Dansului (TNB floor 3/4)
“Kites, Catrina,
Chickens and more”
Artist talk of Yoshinori
Niwa
In Japan, for the
cellebration of the New Year in early january, people traditionally fly
kites. Usually made out of paper, taking mythical forms such as
Octopus, Demon, Animals, etc. My project in Bucharest is to fly kites
made out of garbage collected from the streets of the city, i.e.
Plastic bags and/or cardboards. This action-art project is a way to
collaborate with the people from Bucharest for the making of the kites,
and in parallel it constitutes a communicating mixture of Japanese and
Romanian culture. Local and global categories are under the scrutiny
through this aesthetic action. Trash is part of the culture of any
city, and in the garbage one may find the vestiges of international
corporations, such as Fast Food chains, mixed with packaging from local
producers. The kite will mix them reconstituting the microcosmos of
Bucharest. This kite will be the material expression of commodity
distribution system, a witness of contemporary global capitalism, and a
commentary on the consumer society in Bucharest. The flying kite is
untouchable, but it touches us and will make us rethink our
socio-political context. The experience of collectively working on a
kite with local people may remain in the memory of Bucharest cityscape.
Yoshinori Niwa is a
physical performance artist who often incorporates animals, plants, and
the environment into his work. Niwa’s aim is to explore how to live
with others, especially those of other cultures and social classes.
Niwa has performed works in Britain, Canada, Germany, Hungary, Japan,
Montenegro, Poland, Serbia, and Slovakia. In addition to his
performance work, Niwa is curator and festival organizer. Niwa is
currently coordinating an international art festival titled “Artist as
Activist” in Tokyo.
Supported by:
Ecorom Ambalaje
Whirlpool Romania
National Center for
Dance Bucharest
PAVILION | art &
culture magazine
National Dance Center
Bucharest
Special thanks to
Bucharest Municipality.
June 21-24, 2007
CINEMA SUITCASE
(Amsterdam, The Netherlands)
“DIS-ECONOMY OF LIFE”
(parallel event of
Bucharest Biennale 3)
Migratory Aesthetics,
Travelling Concepts & Organization of Economic Life
Travelling Video
Installation: International Collaborative Media Project
Opening: May 21, 19.00
With public debate.
Desant, Bd. Ion
Mihalache nr. 123, Bucharest
Curated by: Marko
Stamenkovic (O3ONE, Belgrade).
May 17-21, 2007
Pavilion Meeting Place
(parallel event of
Bucharest Biennale 3)
Friday
18 May 2007
20.00 Second launch of
PAVILION magazine no. 10- 11 on the topic “What Was Socialism, and What
Comes Next” with the exhibition “Holy Damn It”.
Saturday
19 May 2007
17.00 Breakfast At
Pavilion
“The Magazine As
Temporary Structure”, a lecture by Felix Vogel
Desant. Bd. Ion
Mihalache nr. 123 (intersection with Turda st.)
18.30 Breakfast At
Pavilion
“Political Esthetics”, a
lecture by Cosmin Marian
Desant. Bd. Ion
Mihalache nr. 123 (intersection with Turda st.)
Sunday
20 May 2007
17.00 Breakfast At
Pavilion
“Being Here. Mapping the
Contemporary”
Public debate with
Jan-Erik Lundstrom & Johan Sjostrom, the curators of Bucharest
Biennale 3.
Desant. Bd. Ion
Mihalache nr. 123 (intersection with Turda st.)
May 11-25, 2007
Holy Damn It
On the Urgent Need for
Radical Answers
50.000 posters
Opening May 11, 19.00,
Desant, Bd. Ion Mihalache nr. 123, Bucharest
+launch of Pavilion
#10-11
+Public debate.
Participants: Dan Perjovschi, Vasile Ernu, Eugen Radescu, Alexandru
Balasescu, Cristian Crisbasan, Adriana Zaharia, Andreea Grecu.
Moderator: Razvan Ion.
www.holy-damn-it.org
October 31 (Timisoara),
November 2 (Cluj),
November 7 (Iasi),
November 13 (Bucharest),
2006
18.00 “100 Dutch Minutes”
video art from The Netherlands
Curated by Razvan Ion(RO) & Felix Vogel(DE).
For
artists, text and dates download the pdf
October 19, 2006
18.00 “PAVILION Lecture Series”
“The Fool”
Lecture by Lara Taubman.
Lara Taubman is an art critic and curator based in Phoenix, Arizona.
Venue: American Cultural Center Bucharest, Str. Jean Louis Calderon 7-9.
May 26 – June 27, 2006,BUCHAREST
BIENNALE 2
CHAOS: THE AGE OF CONFUSION
CURATOR: Zsolt Petrányi
ARTISTS: Erik Binder/Eduard Constantin/János
Fodor/El Perro/Rainer Ganahl/Kátia Lombardi/Agent Mc/Sebastian
Moldovan/Pedro Motta/
Ioana Nemes/Ilona Németh/Tatsumi Orimoto/Dan Perjovschi/Catalin
Rulea/Janek Simon/Áttila Stark/Aya Tzukioka/Wang Qingsong
VENUES: Museum of Geology/Museum of Literature/Botanical
Garden/National Dance Center/South Shop/Test Point/Skeateboard Park
Herastrau/Audi Art Room
INFO POINT BB2: B-dul Nicolae Balcescu nr. 2, etaj 4,
Laptaria lui Enache entrance
www.bucharestbiennale.org
May 26, 2006
17.00 “PAVILION Lecture Series”.
Lecture and public debate “Chaos: Flat images in the age of Confusion”.
Keynote speaker: Zsolt Petranyi, curator of 2nd Bucharest Biennale,
director of Kunsthalle Budapest.
Participants: artists of the BB2
Venue: Info Point BB2, Bucharest, Bd. Nicolae Balcescu
nr. 2, floor 4 (entrance from Laptaria lui Enache).
May 27, 2006
17.00 “PAVILION Lecture Series”
“My misery with Karl Marx – or how I became an artist!”
Lecture and artist talk by Rainer Ganahl.
Rainer Ganahl is a postconceptualist artist, widely
exhibited, whose subjects is language, learning systems, media and
politics.
Venue: Info Point BB2, Bucharest, Bd. Nicolae Balcescu
nr. 2, floor 4 (entrance from Laptaria lui Enache).
May 28, 2006
17.00 “PAVILION Lecture Series”.
Lecture and public debate “Queer in Photography”.
Keynote speaker: Marina Grznic, artist, curator,
philosopher, new media theoretician based and professor at the Academy
of Fine Arts in Vienna, Austria.
Venue: Info Point BB2, Bucharest, Bd. Nicolae Balcescu
nr. 2, floor 4 (entrance from Laptaria lui Enache).
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